1. |
Intro
00:24
|
|
||
2. |
2.13
01:07
|
|
||
|
dehino ’smin yathā dehe
kaumāraṁ yauvanaṁ jarā
tathā dehāntara-prāptir
dhīras tatra na muhyati
|
||||
3. |
2.14
01:07
|
|
||
|
mātrā-sparśās tu kaunteya
śītoṣṇa-sukha-duḥkha-dāḥ
āgamāpāyino ’nityās
tāṁs titikṣasva bhārata
|
||||
4. |
2.41
01:07
|
|
||
|
vyavasāyātmikā buddhir
ekeha kuru-nandana
bahu-śākhā hy anantāś ca
buddhayo ’vyavasāyinām
|
||||
5. |
2.59
01:07
|
|
||
|
viṣayā vinivartante
nirāhārasya dehinaḥ
rasa-varjaṁ raso ’py asya
paraṁ dṛṣṭvā nivartate
|
||||
6. |
3.9
01:06
|
|
||
|
yajñārthāt karmaṇo ’nyatra
loko ’yaṁ karma-bandhanaḥ
tad-arthaṁ karma kaunteya
mukta-saṅgaḥ samācara
|
||||
7. |
3.27
01:10
|
|
||
|
prakṛteḥ kriyamāṇāni
guṇaiḥ karmāṇi sarvaśaḥ
ahaṅkāra-vimūḍhātmā
kartāham iti manyate
|
||||
8. |
4.2
01:07
|
|
||
|
evaṁ paramparā-prāptam
imaṁ rājarṣayo viduḥ
sa kāleneha mahatā
yogo naṣṭaḥ parantapa
|
||||
9. |
4.7
01:07
|
|
||
|
yadā yadā hi dharmasya
glānir bhavati bhārata
abhyutthānam adharmasya
tadātmānaṁ sṛjāmy aham
|
||||
10. |
4.8
01:08
|
|
||
|
paritrāṇāya sādhūnāṁ
vināśāya ca duṣkṛtām
dharma-saṁsthāpanārthāya
sambhavāmi yuge yuge
|
||||
11. |
4.9
01:07
|
|
||
|
janma karma ca me divyam
evaṁ yo vetti tattvataḥ
tyaktvā dehaṁ punar janma
naiti mām eti so ’rjuna
|
||||
12. |
4.1
01:08
|
|
||
|
ye yathā māṁ prapadyante
tāṁs tathaiva bhajāmy aham
mama vartmānuvartante
manuṣyāḥ pārtha sarvaśaḥ
|
||||
13. |
4.34
01:08
|
|
||
|
tad viddhi praṇipātena
paripraśnena sevayā
upadekṣyanti te jñānaṁ
jñāninas tattva-darśinaḥ
|
||||
14. |
5.18
01:08
|
|
||
|
vidyā-vinaya-sampanne
brāhmaṇe gavi hastini
śuni caiva śva-pāke ca
paṇḍitāḥ sama-darśinaḥ
|
||||
15. |
5.22
01:07
|
|
||
|
ye hi saṁsparśa-jā bhogā
duḥkha-yonaya eva te
ādy-antavantaḥ kaunteya
na teṣu ramate budhaḥ
|
||||
16. |
5.29
01:07
|
|
||
|
bhoktāraṁ yajña-tapasāṁ
sarva-loka-maheśvaram
suhṛdaṁ sarva-bhūtānāṁ
jñātvā māṁ śāntim ṛcchati
|
||||
17. |
6.47
01:07
|
|
||
|
yoginām api sarveṣām
mad-gatenāntar-ātmanā
śraddhāvān bhajate yo māṁ
sa me yuktatamo mataḥ
|
||||
18. |
7.4
01:07
|
|
||
|
bhūmir āpo ’nalo vāyuḥ
khaṁ mano buddhir eva ca
ahaṅkāra itīyaṁ me
bhinnā prakṛtir aṣṭadhā
|
||||
19. |
7.5
01:09
|
|
||
|
apareyam itas tv anyāṁ
prakṛtiṁ viddhi me parām
jīva-bhūtāṁ mahā-bāho
yayedaṁ dhāryate jagat
|
||||
20. |
7.14
01:06
|
|
||
|
daivī hy eṣā guṇa-mayī
mama māyā duratyayā
mām eva ye prapadyante
māyām etāṁ taranti te
|
||||
21. |
7.19
01:09
|
|
||
22. |
8.6
01:09
|
|
||
|
yaṁ yaṁ vāpi smaran bhāvaṁ
tyajaty ante kalevaram
taṁ tam evaiti kaunteya
sadā tad-bhāva-bhāvitaḥ
|
||||
23. |
9.2
01:07
|
|
||
|
rāja-vidyā rāja-guhyaṁ
pavitram idam uttamam
pratyakṣāvagamaṁ dharmyaṁ
su-sukhaṁ kartum avyayam
|
||||
24. |
9.13
01:07
|
|
||
|
rāja-vidyā rāja-guhyaṁ
pavitram idam uttamam
pratyakṣāvagamaṁ dharmyaṁ
su-sukhaṁ kartum avyayam
|
||||
25. |
9.14
01:07
|
|
||
|
satataṁ kīrtayanto māṁ
yatantaś ca dṛḍha-vratāḥ
namasyantaś ca māṁ bhaktyā
nitya-yuktā upāsate
|
||||
26. |
9.26
01:09
|
|
||
|
satataṁ kīrtayanto māṁ
yatantaś ca dṛḍha-vratāḥ
namasyantaś ca māṁ bhaktyā
nitya-yuktā upāsate
|
||||
27. |
9.27
01:06
|
|
||
|
yat karoṣi yad aśnāsi
yaj juhoṣi dadāsi yat
yat tapasyasi kaunteya
tat kuruṣva mad-arpaṇam
|
||||
28. |
9.34
01:10
|
|
||
|
man-manā bhava mad-bhakto
mad-yājī māṁ namaskuru
mām evaiṣyasi yuktvaivam
ātmānaṁ mat-parāyaṇaḥ
|
||||
29. |
10.8
01:06
|
|
||
|
ahaṁ sarvasya prabhavo
mattaḥ sarvaṁ pravartate
iti matvā bhajante māṁ
budhā bhāva-samanvitāḥ
|
||||
30. |
10.9
01:07
|
|
||
|
mac-cittā mad-gata-prāṇā
bodhayantaḥ parasparam
kathayantaś ca māṁ nityaṁ
tuṣyanti ca ramanti ca
|
||||
31. |
10.10
01:08
|
|
||
|
teṣāṁ satata-yuktānāṁ
bhajatāṁ prīti-pūrvakam
dadāmi buddhi-yogaṁ taṁ
yena mām upayānti te
|
||||
32. |
10.11
01:06
|
|
||
|
teṣām evānukampārtham
aham ajñāna-jaṁ tamaḥ
nāśayāmy ātma-bhāva-stho
jñāna-dīpena bhāsvatā
|
||||
33. |
11.55
01:10
|
|
||
34. |
14.26
01:06
|
|
||
|
māṁ ca yo ’vyabhicāreṇa
bhakti-yogena sevate
sa guṇān samatītyaitān
brahma-bhūyāya kalpate
|
||||
35. |
15.7
01:08
|
|
||
|
mamaivāṁśo jīva-loke
jīva-bhūtaḥ sanātanaḥ
manaḥ ṣaṣṭhānīndriyāṇi
prakṛti-sthāni karṣati
|
||||
36. |
15.15
01:07
|
|
||
|
sarvasya cāhaṁ hṛdi sanniviṣṭo
mattaḥ smṛtir jñānam apohanaṁ ca
vedaiś ca sarvair aham eva vedyo
vedānta-kṛd veda-vid eva cāham
|
||||
37. |
18.54
01:07
|
|
||
|
brahma-bhūtaḥ prasannātmā
na śocati na kāṅkṣati
samaḥ sarveṣu bhūteṣu
mad-bhaktiṁ labhate parām
|
||||
38. |
18.55
01:07
|
|
||
|
bhaktyā mām abhijānāti
yāvān yaś cāsmi tattvataḥ
tato māṁ tattvato jñātvā
viśate tad-anantaram
|
||||
39. |
18.61
01:08
|
|
||
|
īśvaraḥ sarva-bhūtānāṁ
hṛd-deśe ’rjuna tiṣṭhati
bhrāmayan sarva-bhūtāni
yantrārūḍhāni māyayā
|
||||
40. |
18.65
01:08
|
|
||
|
man-manā bhava mad-bhakto
mad-yājī māṁ namaskuru
mām evaiṣyasi satyaṁ te
pratijāne priyo ’si me
|
||||
41. |
18.66
01:16
|
|
||
|
sarva-dharmān parityajya
mām ekaṁ śaraṇaṁ vraja
ahaṁ tvāṁ sarva-pāpebhyo
mokṣayiṣyāmi mā śucaḥ
|
||||
Cart Records Kentucky
CArt Records es la red social de músicos conscientes de la Escuela de Armonía y Arte Consciente .
Los artistas de
CArt Records buscan expresar sus mensajes de armonía, paz, protección de la naturaleza y espiritualidad a todos, sólo con el deseo de generar conciencia a la humanidad.
Fomentamos el espíritu artístico cultural consciente de nuestros artistas.
... more
If you like "Los 40 Versos mas importantes del GITA", you may also like:
JOPANGO
by Rapasa Nyatrapasa Otieno
Soaring music from East Africa with lyrics drawn from lived experience backed by dazzling instrumentation.
go to album
Mazel Tov Cocktail Party!
by David Krakauer, Kathleen Tagg & the Mazel Tov Cocktail Party
Led by klezmer phenom David Krakauer, this collaborative LP develops international sounds into an celebration of our common humanity.
go to album
This album by the London-based Afrobeats collective marries dance-heavy sounds with politically conscious lyrics.
go to album
Guy Buttery & The Bandura Express Marimba Ensemble
by Guy Buttery
This collaborative album between the South African guitarist and traditional music choir showcases the music of Southern Africa.
go to album
featured on Bandcamp Radio Mar 1, 2016
go to album
Mala returns with a new single that’s colored by hushed tones and sedate tempos, topped with a spoken-word piece designed to empower.
go to album
Two mind-expanding epics that clock in at 17 minutes apiece and blend drone, ambient, shoegaze, and traditional Indian music.
go to album
